In 1682, Louis XIV transferred the French court to Versailles. The artist Charles Le Brun (1619-1690) was responsible for planning this work, to which he applied an “orchestral” treatment, which involved the participation of hundreds of artisans and artists, the best from each discipline.
Le Brun personally produced several pieces, including two particularly impressive compositions: the Staircase of the Ambassadors and the Hall of Mirrors, adorned by a series of mature paintings imbued with the most captivating beauty.
A little-known body of original material is conserved from this undertaking: the preparatory cartoons, which illustrate the final phase in the artist’s working process.
The cartoons demonstrate Le Brun’s virtuosity as a draftsman, his talent for constructing scenes and his painstaking care, down to the last detail.
The drawings include studies of characters, allegorical figures, trophies and animals that formed part of the artist’s compositions, conceived as a great symbolic jigsaw puzzle.
Such cartoons were commonly used between the sixteenth and nineteenth centuries, but few have reached our days.
Those produced by Le Brun are the exception: three hundred and fifty cartoons in a store of three thousand drawings found at the artist's studio, requisitioned and added to the royal collections after his death in 1690.
Over the past few years, the Graphic Arts Department of the Louvre Museum has carefully restored these drawings, enabling us to see them now for the first time in all their original splendour.
The exhibition Drawing Versailles. Studies and Cartoons of Charles Le Brun opened in November at Barcelona's CaixaForum runs until 14 February, 2016.
For more information see the exhibition flyer (pdf)
Source: ”la Caixa” Foundation [January 12, 2016]