Visitors to Morocco usually head straight for the beaches or plunge into the winding alleys of exotic medieval markets, but this rich North African country also has a wealth of ruins from its days as a Roman colony.
The best sites — Volubilis and Lixus — are easy two-hour drives from the capital Rabat, and a third site, Sala Colonia, is in Rabat.
And while they may lack the ostentatious grandeur of Turkey's Ephesus or Tunisia's Carthage, Morocco's overgrown, often ill-kept ruins have their own charms, in part because they are so often overlooked. The only sound to break the silence during a recent visit to Volubilus, for example, was a donkey rustling through overgrown bushes to crop at weeds around a mosaic depicting the 12 labors of Hercules.
Volubilis
The jewel in the crown of Morocco's Roman ruins is certainly Volubilis, located at the foot of the Atlas mountains in a sweeping valley filled with olive and almond trees.
The site is dominated by the remains of the grand public buildings around the forum, with the impressive arches of the Basilica courthouse arrayed in front of pillars of the temple to the god Jupiter — now topped by bushy stork nests. Every old ruin in Morocco appears to host its own of population of the large black and white birds, which soar over the sites or preen in their nests as tourists snap away with cameras.
When they start clacking their beaks in chorus, it sends an eerie chattering noise across the ancient stones.
Lined with shops, the Decumanus Maximus was the most desirable address in town. Nearby expansive villas still boast the colorful floor mosaics that have made this ruin famous.
For those used to seeing such mosaics painstakingly wrought out of tiny colored stones in museums, it is a surprise to see them set in the ground marked off by little more than a moldy barrier of rope.
In one massive floor mosaic, Orpheus charms wild animals with his harp while in another room, dolphins frolic through the waves of what must have been the bathroom.
Greek myths predominate as subject matter. In one villa, licentious nymphs carry off the handsome Hylas, son of Hercules, who looks shocked.
Depictions of Greek and Roman gods of wine, Dionysius and Bacchus, are everywhere, suggesting the inhabitants liked their grape. Nearby Meknes remains the center of Morocco's wine production.
Other mosaics depict geometric patterns that are repeated in the Berber rugs that can be bought in nearby mountain villages.
The quality of work attests to the wealth of the town, which came from olive orchards and wheat fields that fill the valley around the ruin.
The city's other main export was wild animals, including lions, jaguars and bears that went to fight and die in Rome's colosseum. Within just 200 years, the beast population in the area was devastated and indigenous species like the Barbary Lion and Atlas Bear had all but ceased to exist.
The site continued to be inhabited even after the embattled empire pulled out its legions 240 years later, and was reported to still be speaking Latin when the Arabs arrived in the eighth century.
It is said, the ruins were actually in good shape until the 18th century when Sultan Moulay Ismail pulled them down to use for the monumental palace he was building in nearby Meknes.
The easy accessibility to these mosaics, however, has taken its toll and the colors have faded from daily exposure to the elements. The site also suffers from lack of upkeep. Plants and grasses run riot through the streets and rooms, giving it an undiscovered feeling.
Sala Colonia
The grounds are a little better maintained in the ruins of Sala Colonia, conveniently located in the capital Rabat, where the remains of a Roman settlement were incorporated into a medieval necropolis called the Chellah.
Built on a trading post used by the Phoenicians, Sala sits on a hill with a panoramic view of the Bouregreg river flowing into the Atlantic and is now surrounded by a crenelated medieval wall with imposing towers.
A statue of a figure in a toga, most likely some elder statesman of this port city, hints at the lost beauty of the main square.
Lixus
Farther north along the coast is Lixus, one of Morocco's most intriguing Roman sites for its almost total obscurity and lack of visitors. Is also the legendary site of the Garden of Hesperides, from which Hercules had to steal the golden apples for one of his trials. The once thriving port city sits on a hill over the looping folds of the winding Loukkos river.
Around the base of the hill are a series of deep pits and arches from the factories that made its principal export to Rome: a paste made of fermented fish entrails known as garum that was prized as condiment throughout the empire, but has since been (thankfully) dropped from Italian cuisine.
Since making garum was a smelly business and the factories were always on the edge town, you have to walk up the hill to find the city proper.
Halfway up the half hour trip to the summit, the path opens up to a partially restored amphitheater with a stunning view of the flat valley below. The deep pit at the base of the rows of seats suggests that animal and gladiator combats took place here as well theater productions.
There are also the walls of a church built in the settlement's final years and a clear view across the bay to the town of Larache two and a half miles (four kilometers) away. The former Spanish colony still sports charming colonial buildings and a beautiful, labyrinthine old city that is worth a visit on its own — not to mention the nearby beaches.
The only time the site sees many visitors is on weekends when local youths ride their mo-peds out and climb the hill to enjoy the view.
Author: Paul Schemmi | Source: The Associated Press [March 21, 2012]